| Meghan ( @ 2005-11-13 18:11:00 |
Deja vu all over again
A project:
Replace every mention of "reviewer" with "science fiction writer" and "book" with "story" and see if you're reminded of anything.
Focusing on the power handed to male reviewers, Caplan suggested that one remedy would be to increase the number of female reviewers, and offered to supply the names of qualified candidates. McGrath replied that he would welcome suggestions, but "our standards are so high that a great many writers—even published writers—don't meet them." As for the attention to male authors, he explained, "more books are written by men than by women."
Men write more books than women? Caplan and her co-author searched for evidence to support that claim, but found none.
From this tidbit on gender parity in the NYTBR.
This is not a genre problem. This is not even a FICTION problem. This is sexism, plain and simple, across the board in the world of letters. Hate to use such a retro, "feminist" word for it, but I'm at a loss for a more progressive one. We may not notice it happening, but the fact remains that college creative writing classes are, on average, 80/20 women/men; Clarion is 50/50; but literary markets, and the genre pro's, barely make it to a 2:1 men to women ratio. It may have happened subconsciously. That's fine. But to turn away and ignore it after it's been pointed out? That conscious, and guess what? That's pretty damn shitty. I would love to see a Trampoline-style 10-men 10-women mag come out once a month for a year and see what happens. Do more women get noticed? Do more women get more money so they have more time to write? Do more women get awards? Do subscriptions go up, because women who were sick and tired of not seeing themselves represented get excited about a magazine? Fantasy Magazine is off to a pretty okay start (8 men, 7 women, though on the cover it advertises 4 men and 1 woman. That may be a symptom of a broader problem of visibility. Not quite sure). And I recognize that in general women submit less -- though not as drastically less as they make it into print. Suffice to say, no one can claim that this is a science fiction only problem, that it is simply 'how the genre works' or 'the way things are.' This is an artificial, society-driven, irrational inequality that has nothing to do with whether you write stories with elves and spaceships or not. And we should start putting some rational thought towards fixing it. Not just because it's better for half the population. Because it's better for writing and it's better for the magazines.
Anyway. I need some dinner.
A project:
Replace every mention of "reviewer" with "science fiction writer" and "book" with "story" and see if you're reminded of anything.
Focusing on the power handed to male reviewers, Caplan suggested that one remedy would be to increase the number of female reviewers, and offered to supply the names of qualified candidates. McGrath replied that he would welcome suggestions, but "our standards are so high that a great many writers—even published writers—don't meet them." As for the attention to male authors, he explained, "more books are written by men than by women."
Men write more books than women? Caplan and her co-author searched for evidence to support that claim, but found none.
From this tidbit on gender parity in the NYTBR.
This is not a genre problem. This is not even a FICTION problem. This is sexism, plain and simple, across the board in the world of letters. Hate to use such a retro, "feminist" word for it, but I'm at a loss for a more progressive one. We may not notice it happening, but the fact remains that college creative writing classes are, on average, 80/20 women/men; Clarion is 50/50; but literary markets, and the genre pro's, barely make it to a 2:1 men to women ratio. It may have happened subconsciously. That's fine. But to turn away and ignore it after it's been pointed out? That conscious, and guess what? That's pretty damn shitty. I would love to see a Trampoline-style 10-men 10-women mag come out once a month for a year and see what happens. Do more women get noticed? Do more women get more money so they have more time to write? Do more women get awards? Do subscriptions go up, because women who were sick and tired of not seeing themselves represented get excited about a magazine? Fantasy Magazine is off to a pretty okay start (8 men, 7 women, though on the cover it advertises 4 men and 1 woman. That may be a symptom of a broader problem of visibility. Not quite sure). And I recognize that in general women submit less -- though not as drastically less as they make it into print. Suffice to say, no one can claim that this is a science fiction only problem, that it is simply 'how the genre works' or 'the way things are.' This is an artificial, society-driven, irrational inequality that has nothing to do with whether you write stories with elves and spaceships or not. And we should start putting some rational thought towards fixing it. Not just because it's better for half the population. Because it's better for writing and it's better for the magazines.
Anyway. I need some dinner.